Music with Orchestra

 

 
 
A Living Song
Boosey & Hawkes 48019360
For the 2007 Tennessee All-State Women’s Chorus, Sandra Snow, conductor
 
Voicing: SSA with piano (chamber orchestra full score and parts 48019360)
Text: Joseph Freiherr von Eichendrorff (1788-1857) and
a 19th c. rattle fragment from the Northwest Canadian Coast
Duration: c. 3’
First Performance: 2007 Tennessee All-State Women’s Chorus, Sandra Snow, conductor
 
(See Listing under Mixed Voices for annotation.)
 
 
A Song for Every Child
Boosey & Hawkes M051477135
Dedicated to Martha Ellen Stilwell. Commissioned for the Spivey Hall Children’s Choir in loving memory of Bill & Lillian Loucks
 
Voicing: SSA with piano
Text: William Blake (1757-1827) Songs of Innocence: Introduction
Duration: c. 3’
First Performance: The Spivey Hall Children’s Choir, Martha Shaw, director, Morrow, Georgia, May 20, 2006
 

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David Brunner is the Schubert of our time. His soaring melodies are a delight to all who hear them, and his text settings are beautifully crafted. A Song For Every Child is a magical illustration of a Robert Blake poem about the joy of music and song in the life of a child. My singers loved its playful rhythms and poignant text, and it was fun to learn and perform. This piece is a wonderful addition to David's treble choir literature.
Martha Shaw
Artistic Director
Spivey Hall Children's Choir
 
A graceful melody, playful rhythms and lighthearted mood characterize this setting of William Blake’s poem from the Songs of Innocence. The accompaniment is supportive of the voices, which are often scored in duet pairings. Rhythms are characterized by alternating meters, which fit the natural word stress of the text.
 
 
A Song To End All War
Boosey & Hawkes M051478224
Commissioned for the 2007 Sing A Mile High Children's Choral Festival, Denver, Colorado, by Young Voices of Colorado, Jena Dickey, Artistic Director
 
Voicing: SA chorus with piano
Text: Bill Worrell, The Shaman of Brotherhood (Lullaby for War)
Duration: c. 3'15"
First Performance: Sing a Mile High Children's Choral Festival, David Brunner, conductor, Denver, Colorado, June 25, 2007
 

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After working with David to select the text for If I Could Write A Song , I knew that the piece would be meaningful and beautiful. Having conducted other Brunner pieces over the years, I also knew that the melodies would soar at the most poignant places and create those spine chills that his music often produces. What I didn't anticipate was the ease and professionalism of the commission process. Contracts were clear and concise, and the product was delivered ahead of schedule.
If I Could Write A Song is easy to sing and its beauty will long echo in the hearts of the singers and their audience. It is a perfect ballad for our time.
Jena Dickey
Founder and Artistic Director
Sing A Mile High Children's Choral Festival
Young Voices of Colorado
 
 
All Thy Gifts of Love
Boosey & Hawkes M051475506
Commissioned for the 2005 Hillsborough County Fine Arts Festival and dedicated in memory of Dr. Virginia Bridges, Professor Emerita, University of South Florida.
 
Voicing: SA chorus with piano
Text: Hunger Fund Committee, Diocese of Huron
with additional verses by the composer
Duration: c. 3:00
First Performance: May 10, 2005, Morsani Hall, Tampa
Bay Performing Arts Center, Tampa, FL,
David L. Brunner, conductor
 

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Jean Ashworth Bartle sent the first verse of this poem in her Christmas greetings a year or so ago, and this small fragment was the inspiration for additional verses I added and for this setting of All Thy Gifts of Love for the 2005 Hillsborough County Fine Arts Festival in Tampa, Florida.
“For these and all thy gifts of love” in the final verse is part of the family grace of Rev. Galen Russell, which I remember fondly.
 
It should be sung simply, in a moderate tempo.
 
 
 
Amazing Grace
Boosey & Hawkes M051474806 (2004)
Commissioned by The Scottish Arts Council for The Stewarton Academy Choral Project, Mandy Miller, Director
 
Voicing: SATB and treble choruses with piano and flute
Text: John Newton (1725-1807)
Duration: c. 5'
First Performance: 18 June 2002, Glascow, Scotland,
Mandy Miller, conductor
 

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A new tune, lilting character and fresh approach to the text combine in this folk-like setting of a familiar and well-loved hymn.
 
 
The Circles of Our Lives
Boosey & Hawkes M051472192 (2000)
This composition was commissioned by the Endowment Fund of the American Choral Directors Association in Memory of Raymond W. Brock who served the American Choral Directors Association as Director of Development and Administrative Assistant.
 

Voicing:  SA chorus with piano Full score and instrumental version parts also available on rental from the publisher (flute, oboe, clarinet,bassoon, string quartet and piano)

Text:  Wendell Berry
Duration: c. 4'
First Performance: at the Eastern Division convention of the American Choral Directors Association, Baltimore, MD, and the subsequent six division conventions in Cincinnati, OH, Madison, WI, Orlando, FL, Seattle, WA, Oklahoma City, OK and Los Angeles, CA, February - March, 2000. Instrumental version commissioned and premiered by the Young Women's Chorus of Kentucky, Robert Paugh, conductor, at the Kentucky Music Educators Association conference, Louisville, Kentucky, February 7, 2002.
 

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The American Choral Directors Association was pleased to invite David Brunner to be the 2000 Raymond W. Brock Memorial Composer. The Circles of Our Lives is one of the significant commissions added to this prestigious series. This great composition premiered in the spring of 2000 at the seven ACDA division conventions to outstanding reviews and continues to receive superb reviews from choral musicians worldwide.
Gene Brooks
Executive Director
American Choral Directors Association
 
The Circles of Our Lives began as an emotional response to a poem by Wendell Berry, entitled simply "Song". I had not known the poetry of Wendell Berry until very recently, but immediately found in him a voice that touched me by its contemplative and inspirational nature and by the reverence in each and every word. I found in his words a profound sincerity and respect for the wonder of life. This gentle poem of life's cycles seemed exceedingly appropriate for this work in memory of Raymond Brock.

This thoughtful and musical text is set to expansive melodic ideas in a gentle interplay of voices. Only music brings us here, each by all the others held.
 
 
 
Daring to Be
Boosey & Hawkes M051476121
For the Young Naperville Singers in celebration of their 20th year, Oksanna Rodak, Artistic Director.Funded by a grant from the Naperville Sunrise Rotary Fund for the Arts, Naperville, Illinois
 
Voicing: SSA with piano
Text: Ann Ziety
Duration: c. 3'8'
First Performance: Young Naperville Singers, Oksanna Rodak, conductor, Naperville, Illinois, April 25, 2004
 
 
I was intrigued by the playful nature of Ann Ziety's text and felt it's youthful exuberance was perfect for the celebration of the Young Naperville Singers' 20th anniversary. Throughout, the singing is energetic, light and buoyant. The text sparkles with an energy and affirmation of who we are.
 
 
 
Earthsongs
Boosey & Hawkes M051468584 (1996)
To My Dad
For the Children in Harmony Choral Festival, Keynote Arts Associates, EPCOT '96, Barbara Tagg, Director
 
Orchestral Version for the Children's Choral Festival, Carnegie Hall, Janet Galvan, conductor
 
I The World is Full of Poetry
II In Safety and Bliss
III We Join with The Earth and with Each Other
 
Voicing: 4-part treble chorus with oboe and piano
full score and orchestral version parts on
rental from the publisher
Text: James Gates Percival; Buddhist from the Sutta Nipata; United Nations Environmental Sabbath Program
Duration: c. 9'
First Performance: 25 May 1996, EPCOT, Orlando, Florida, David Brunner, conductor. Orchestral debut: Carnegie Hall, New York City, Janet Galvan, conductor.
 

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David Brunner has made a significant contribution to choral music repertoire. His flowing melodies, rich textures, musical sensitivity and moving texts have provided the basis for many outstanding compositions. One such composition is surely Earthsongs.
Barbara Tagg, Conductor
Syracuse Children's Choir
Children in Harmony Festival EPCOT
 
The minute I heard Earthsongs, I wanted to hear it orchestrated. The premiere in Carnegie Hall of Brunner's orchestrated version of Earthsongs was stunning. .. This is a welcome addition to the repertoire of children's voices and orchestra.
Janet Galvan, Conductor
North American Children's Chorale
 
 
 
Eletelephony (from Two for Fun)
Boosey & Hawkes M051465323 (1992)
For the Glen Ellyn Children's Chorus, Doreen Rao, director
 
Voicing: unison voices with piano
Text: Laura E. Richards
Duration: c. 55'
 
 
Laura Richards' imaginative text comes to life in this playful setting! Changing meters, an angular melodic line and lumbering piano part are highly evocative and unpredictable.
 
 
 
For a Certain Artist
Boosey & Hawkes, Inc., 48019226
Commissioned by the Gulf Coast Youth Choirs, Lynne Gackle, conductor, for the 2005 Young Voices Festival
 
Voicing: SA chorus with piano
Text: Elisavietta Ritchie
Duration: c. 4:33
First Performance: April 22, 2005, Morsani Hall, Tampa Bay Performing Arts Center, Tampa, FL, David L. Brunner, conductor
 
 
For A Certain Artist is a lovely 2-part work for children’s voices commissioned by the 2005 Young Voices Festival, which is sponsored by the Gulf Coast Youth Choirs, Inc. in Tampa, Florida, and accessible by children’s choirs of all levels. This work was performed with over 750 children from school, community and church children’s choirs. David Brunner was our guest clinician/composer and it was truly a marvelous experience for the children to perform this new work with the composer, himself. The text engages the imagination and speaks to the ability of the artist to “see” things beyond what most of us “see” in daily life – In a tree, a boat; in a puddle, the sea; in a cloud, sails. For A Certain Artist encourages us to think about looking past the ordinary and to strive to see the possibilities of “what if” in our lives.
Lynn Gackle
Founder and Artistic Director
Gulf Coast Youth Choirs
 
I loved this poem on first reading. It says so much in so few words about the experience of the artist’s eye, the ability to imagine what can be, to see extraordinary possibilities in everyday things and to sense in our heart the oneness of the universe.
 
The music has a folk-like quality and should move in a gentle sway.
 
 
 
Grandfather Great Spirit
Boosey & Hawkes M051468607 (1997)
Commissioned by David Matthews in honor of his mother, Anna Mae Matthews for the Tampa Bay Children's Chorus, Averill Summer, director
 
Voicing: SSA chorus with alto flute, hand drum, glass wind chimes, rattle, suspended cymbal and piano
Text: Sioux Prayer
Duration: c. 7'
First Performance: April 1998, Tampa, Florida. Tampa Bay Children's Chorus, Averill Summer, conductor.
 
 
Grandfather, Great Spirit immediately engaged our singers' imaginations with its colorful tonal clusters and atmospheric use of percussion and piano. This work truly captures the spirit of its poetic text and draws listener and performer into the very special atmosphere that it creates. It was a challenge for us to learn this piece, and it offered our singers an opportunity to develop many musical skills. Once learned, it became one that our singers asked to repeat.
Averill Summer
Artistic Director
Tampa Bay Children's Chorus
 
 
 
Hold Fast Your Dreams
Boosey and Hawkes M051471232 (1999)
Commissioned by the St. Joseph's Hospital Foundation on the occasion of the opening of Tampa Children's Hospital at St. Joseph's, 19 March 1998
 
Voicing: 2-part treble chorus with piano
Text: Louise Driscoll
Duration: c. 2'20'
First Performance: 19 March 1998, Tampa, Florida. Tampa Bay Children's Chorus, Averill Summer, conductor.
 

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I can't imagine a more sensitive, moving selection of text than that of Hold Fast Your Dreams, commissioned for the opening of our children's hospital. The sweeping, lyric melodic lines are beautiful, fun to sing, and reflect the uplifting, inspiring quality of the text. It has been a big hit on many of our concerts with audiences and singers alike.

David Brunner's works have been favorites on our choir's programs since we first sang Mrs. Snipkin and Mrs. Wobblechin... and we look forward to learning more works by this creative composer. The texts he chooses engage our singers immediately, and are always so sensitively set to music. The melodic lines are memorable and always very singable.
Averill Summer
Artistic Director
Tampa Bay Children's Chorus
 
Here is an extremely sensitive and ethereal-sounding work for more mature treble choirs. A soaring melody is supported by a dream-like piano accompaniment, as warm harmonies highlight the text, "Hold fast your dreams! O keep a place apart within your heart for little dreams to go." Perfect for concert or contest, it is also ideal for graduation or as a signature piece. Gorgeous!
J. W. Pepper & Son, Inc..
 
 
 
Home
Boosey and Hawkes 48019756
To the Concert Singers of the Fairfax Choral Society
Patrick F. Vaughn, director
 
Voicing: two-part treble chorus with piano
Text: Kenzie Duffy
Duration: c. 3'20'
First Performance: 1 May 2007
 
 
David Brunner has an incredible gift...he paints pictures with his music. The musical tapestry that unfolds from performing his music not only sparks the imagination of the listener, but engages the performer to stretch beyond the notes on the page. I hope to collaborate with David again in the near future and would highly recommend him for any project.
Patrick F. Vaughn
Director of Youth Choruses
Fairfax Choral Society, Annandale, VA
 
 
 
House Blessing
Boosey & Hawkes M051474813 (2004)
For the 2001 West Virginia All-State Children's Chorus
 
Voicing: 2-part treble chorus with piano
Text: Traditional Bahai Prayer
Duration: c. 3'
First Performance: 23 March 2001, Creative Arts Center, WVU campus, Morgantown, West Virginia, Julia White, conductor.
 

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The universality of this Bahai prayer connects us all in heart and thought. Its simplicity and sincerity are reflected in the gently curved gestures of the vocal melody.
 
 
 
i thank you god for most this amazing
Boosey & Hawkes M051468676 (1997)
For the Cincinnati College-Conservatory of Music Women's Chorus, Stephanie Mitchell, director
 
Voicing: SSAA chorus a cappella
Text: e. e. cummings
Duration: c. 3'
First Performance: 19 November 1994, Cincinnati College-Conservatory of Music, Cincinnati, Ohio. Women's Chorus, David Brunner, guest conductor.
 
 
The fragmented nature of e. e. cummings' poetry is reflected in many small musical sections, that, however, have a broad overall architecture. Colorful harmonies shimmer. As always, a sensitivity to text setting.
 
 
 
If I Could Fly
Boosey & Hawkes (TBA)
For Bill Worrell, in appreciation of his spirit and his art
 
Voicing: Two-part treble chorus with piano
Text: Bill Worrell 06/01/06 – 4:56 p.m. Just north of Clines Corners. Ravens soaring in a beautiful watercolor sky.
Duration: c. 2’40”
 
 
In the Beauty Way
Boosey & Hawkes M051470846 (1999)
For Doreen Rao and the 1997 Choral Music Experience Teacher Training Institute
 
Voicing: SATB chorus and treble voices with piano
Text: Leo Platero
Duration: c. 6'
First Performance: 1 August 1997, Northern Illinois University, DeKalb, Illinois. Doreen Rao, conductor.
 
(See listing under Mixed Voices for annotation)
 
 
Isn't That Something?
Boosey & Hawkes, Inc., M051476725
Commissioned by the Mississippi Girlchoir, Lillian Lee, director, for Treble Song 2005
 
Voicing: SSA chorus with piano
Text: Daniel Ladinsky
Duration: c. 3:20
First Performance:   April 9, 2005, Mississippi Music Educators Association/American Choral Directors Association state convention TrebleSong Honor Choir, Jackson, MS, David L. Brunner, conductor
 
 
The text was intriguing and created a lot of discussion among the girls, evoking a much deeper meaning when internalized than appears on the surface. The mixed meter is challenging, yet playful and fun. The honor choir really enjoyed working on the piece and were delighted to see David’s reaction as it came alive for him for the first time. The Mississippi Girlchoir performed the commission again on their spring concert and will sing it this summer while on tour in England.
 
Lillian Lee
Director, The Mississippi Girlchoir
 
Isn’t That Something? Was commissioned by the Mississippi Girlchoir for the third annual Treble Song, a state-wide honor choir for girls in grades 7 – 12, sponsored by the Mississippi Girlchoir and held in conjunction with the annual MMEA/ACDA State Convention in Jackson, MS. 140 choristers rehearsed with Dr. Brunner for two days, and the premiere was presented April 9, 2005.
 
 
 
Jubilate Deo
Boosey and Hawkes M051471690 (1999)
Voicing: SSA chorus with brass and organ
full score and orchestral version parts
on rental from the publisher
Text: Sacred Latin text
Duration: c. 3'10'
 
(see listing under Mixed Voices for annotation)
 

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Laughing Song
Boosey & Hawkes M051478248
For the Lake Agassiz Girls Choir, Fargo, North Dakota, Pamela Burns, Artistic Director
 
Voicing: SSA chorus with piano
Text: William Blake Songs of Innocence
Duration: c. 4’18"
First Performance: May 4,2008, Fargo, North Dakota
 

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Mrs. Snipkin and Mrs. Wobblechin
(from Two for Fun)
Boosey & Hawkes M051465330 (1991)
For the Glen Ellyn Children's Chorus, Doreen Rao, director
 
Voicing: 2-part chorus with piano
Text: Laura E. Richards
Duration: c. 1'15'
 

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This companion piece to Eletelephony is a conversational chattering between two friends with widely different personalities. Great fun!
 
 
 
My Heart Soars
Boosey & Hawkes M051470853 (1998)
For the 1998 Oklahoma Elementary All-State Chorus, Janet Galvan, conductor
 
Voicing: 2-part chorus with flute and piano
Text: Chief Dan George
Duration: c. 2'30'
First Performance: 28 January 1998, Oklahoma Elementary All-State Chorus. Janet Galvan, conductor.
 
 
David Brunner, established as a composer of beautiful melodies that are incredibly "singable", has another winner with My Heart Soars. One child in Oklahoma told me that he had always liked the text, but the setting had made him understand it more. He said that he felt as if his voice and spirit literally lifted out of his body as he sang the climactic text, "and my heart soars." Another child commented that she had never sung high notes so easily. The marriage of text and music is exquisite. This is a marvelous addition to the repertoire. Thank you, David Brunner!
Janet Galvan
Ithaca College
 
 
 
O Music
Boosey & Hawkes M051467983 (1995)
For the Children's Honor Choir, 1994 Florida State ACDA Convention, Henry Leck, conductor
 
Voicing: SSA chorus with cello and piano
Text: Kahlil Gibran
Duration: c. 4'
First Performance: 11 November 1994, Knowles Chapel, Rollins College, Winter Park, Florida. Henry Leck, conductor.
 
(See listing under Mixed Voices for annotation and audio sample)
 

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Painted Memories
Boosey & Hawkes M051475735
Commissioned by the Kentucky Music Educators Association for the 2004 KMEA All-State Children's Choir. Robert Paugh, Coordinator; Ann Small, conductor
 
Voicing: SA with piano and oboe
Text: Bill Worrell
Duration: c. 8'
First Performance: KMEA All-State Children's Choir, Ann
Small, conductor, KMEA, Louisville, Kentucky,
February 2004
 

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Bill Worrell is a Texas sculptor and artist whose work moved me in a gallery in Santa Fe, New Mexico a few summers ago. His sculptures are full of spirit, grace and power, and the evocative poems he writes to accompany them are words of magic. I was transfixed by the wonder of the art and transported by the imagination of the words.

Painted Memories accompanies a bronze triptic and reflects Worrell's interest in and influence by the early cave paintings in the Lower Pecos River area, fragments of the Shaman's experience.

"Soaring with the spirits", "dancing among the stars", "flying unbounded". This freedom and movement of the spirit is reflected in the music and it's weightless, unfettered feeling of flight. The appearance of the dawn dims my vision and clasps my feet to the ground. The vividness of my spirit's night flight, however, forces me to paint. "I must sketch my visions". "Upon the walls of the canyon, with great care, I paint my memories". The experience is transformed into art and leaves behind a record, a faint remembrance of the reality.

I hope this music captures some part of the awe and wonder of the Shaman speaker and of Bill Worrell's art.
 
 
 
Psalm 150
Boosey & Hawkes M051473403 (2002)
Commissioned by the Miami Children's Chorus, Timothy A. Sharp, Music Director
 
Voicing: SA with piano
Text: John Davies (1569-1626)
Duration: c. 2'
First Performance: The Miami Children's Chorus, Timothy A. Sharp, director, Miami, Florida, April 2001
 

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This is our second commission of David Brunner and we are overjoyed with the work he has crafted for us, Psalm 150 . With a text by John Davies, David uses changing meter and shifting harmonies to create a challenging work that is an excellent addition to the repertoire for children's choirs. The children of the MCC have enjoyed learning and singing this piece. Bravo, David, for another fine work!
Tim Sharp, Director
Miami Children's Chorus
 
Rhythmic vocal fanfares and an active piano accompaniment bring freshness to this familiar scriptural text, recast in words by 16th century poet John Davies. An exciting and effective piece for treble voices.
 
 
 
Radiant Sister of the Day
Boosey & Hawkes M051476732
Commissioned by the Riverdale Women's Chorale, Riverdale High School, Murfreesboro, TN, Jeremy D. Jones, conductor, in honor of Founding Conductor, John T. Bryan
 
Voicing: SSAA chorus with piano
Text: Percy Bysshe Shelley
Duration: c. 3:00
First Performance: Riverdale High School Women's Chorale, Murfreesboro, TN, Jeremy Jones, conductor
 

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In Radiant Sister of the Day, David Brunner has once again exhibited his mastery of wedding text to tune. This piece literally leaps off the page with wild abandon with its exuberant intervals, clashing dissonances and quieter pools of tonal mood change. Be prepared for some surprising twists and turns in both melodic and harmonic structure. Radiant Sister of the Day is not an easy choral piece, but is well worth the effort required, for both performer and listener. It has been a very positive and rewarding experience working with David on this project. The students have lovged learning this enjoyable and exciting piece. I believe many others will respond favorably to this great addition to women’s chorale repertoire.
Jeremy D. Jones, Conductor
Riverdale Women’s Chorale
Riverdale High School
Murfreesboro, TN
 

Radiant Sister is a joyous setting that sweeps the listener into a beautiful world of color, space, and daylight. The women enjoyed singing this gem, often remarking how "easy" or "great" it felt in the voice. We often saved rehearsing RS until that moment in rehearsal we most needed a lift out of the ordinary. It can function similarly on a concert program, providing momentum and sonorous beauty.

Dr. Sandra Snow
Conductor, Women's Chamber Ensemble
Michigan State University
 
I was immediately drawn to the evocative quality of Shelley’s poem, its scents and sounds, colors and qualities. The statement “Radiant Sister of the Day” is used as a refrain that calls us to come away to wild woods and plains, lawns and pastures, and the place where earth and ocean meet.
 
The singing should have a youthful enthusiasm that delights in each new scent and scene, and a momentum, carried forward by the playful rhythms and undercurrent of pulsation to that place where “all things seem only one in the universal sun”.
 
 
 
Simple Boat
Boosey & Hawkes, Inc., M051476138
Commissioned by Weerter Gemengd Koor "VIVACE", Kammerkoor Cantate Venlo, Beeker Liedertafel and Chevremonts Mannerkoor 1912 Kerkrade, Dion Ritten, Artistic Director, in his 25th Anniversary as Conductor, for the Sierra Leone Project of War Child Netherlands
 
Voicing: SATB and treble chorus with piano (full orchestra version also available)
Text: Irish Fisherman's Prayer/The Way of the Bodhisattva
Duration: c. 7:15
First Performance: October 1 and 2, 2004, Weert Munttheater, Kerkrade Wijngrachttheater, Dion Ritten, conductor
 

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The refrain “a simple boat” recurs throughout the piece, not only as a unifiying device, but also a reminder that we, personally, possess the simple means to bring about the benefit of beings. That we, individually, can be a bridge or boat for those who have need of one. I know David Brunner as a very fine composer and person. For his compositions he always chooses interesting and profound texts. Simple Boat is a perfect combination of texts from an Irish Fisherman's Prayer and a Buddhist text. It is an expressive work, composed with great musical integrity and beautiful melodies. The first performance of Simple Boat was very emotional and moving and had a marvelous response by the audience, who gave a standing ovation. Thank you, David, for, again, a very valuable enlargement of the choral literature.
Dion Ritten
Conductor, Weerter Gemengd Koor "VIVACE"
The Netherlands
 
The occasion of an anniversary is always a reason to celebrate. When my friend Dion Ritten approached me to write a piece for his 25th anniversary with his choirs, I was eager to do so. What made the project even more compelling was his wish that the concert become an opportunity for greater awareness and a way to contribute to a greater cause. His choice was the Sierra Leone project of War Child Netherlands. It was a collaboration I had to be a part of.

The choice of texts was a crucial one for me. I believe the plight of the child is beautifully captured in the words of the Irish Fisherman’s Prayer: “O Lord, be good to me. The sea is so great and my boat is so small”. These words of helplessness in the face of an overwhelming sea are the only words sung by the chorus of children. The adult community of singers respond with two Buddhist writings from The Way of the Bodhisattva: “Regard your body as a vessel, A simple boat for going here and there. Make of it a wish-fulfilling gem To bring about the benefit of beings.” “May I be a guard for those who are protectorless, A guide for those who journey on the road. For those who wish to go across the water, May I be a boat, a raft, a bridge.” This helping community offers itself as the vehicle for crossing the water.
 
 
 
The Singing Will Never Be Done
Boosey & Hawkes (TBA)
For the Orlando Children's Chorus and their directors Trey Jacobs and Carolyn Minear on their Fifth Anniversary
 
Voicing: SATB and treble voices with piano
Text: Siegfried Sassoon (1886-1967)
Duration: 5'50'
First Performance: Spring 2001, Orlando, Florida,
Trey Jacobs, conductor
 
(See listing under Mixed Voices for annotation)
 
 
How fortunate we were to be able to commission a piece for singers about singing! It offered our students an opportunity to reflect and share what singing does for them and for the world. They were then able to see how the composer set the text to enhance the meaning of the words, offering their own insights for each phrase. After the premiere, one of our youngest singers said he wanted the last note to stay with him all summer, so the "singing will never be done" until he returns in the fall! We loved how the children's voices appear and reappear at appropriate moments throughout the SATB setting, with the children and adults playing off of one another. I cannot think of a more fitting way to celebrate a fifth anniversary than to commission one of our favorite composers to write about singing. Thank-you, thank-you.
Carolyn Minear, Director
Orlando Children's Chorus
 
 
 
Sir Brother Sun
Boosey & Hawkes 48019446

In loving memory of former MCC chorister Christie Prieto.
Commissioned by the Miami Children’s Chorus, Timothy A. Sharp, Music Director

 
Voicing: SSAA with piano (chamber orchestra full score and parts 48019465)
Text:  Saint Francis of Assisi

Duration:  c. 4’

First Performance:  October 27, 2006, Miami Children’s Chorus, Timothy A. Sharp, conductor, Miami, Florida

 

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In Sir Brother Sun, David Brunner has crafted another excellent piece for children's chorus and chamber orchestra. David's melodic idea, voicing and dynamic contrasts make the text of Saint Fancis of Assisi breathe new life with each statement of praise. The balance between chorus and orchestra is also what makes this such an excellent composition. At no time does the texture of the orchestra overpower the voices. Though wonderful with piano, performing this piece with orchestra is a must. Only then will you gain a true perspective of each voice as it speaks.
Timothy A. Sharp, Music Director
Miami Children's Chorus
 
 
 
Solidaridad
Boosey & Hawkes M051474578 (2003)
In memory of Linette Perez Wilson. Commissioned by the Richardson All District elementary choir, Lindy Perez, Director, for the 2003 Texas Music Educators Association Convention
 
Voicing: two part treble with piano
Text: Amado Nervo (1870-1919)
Duration: c. 4'
First Performance: The Richardson All District elementary choir, Lindy Perez, Director, at the 2003 Texas Music Educators Association Convention, San Antonio, TX
 

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The title, "solidarity", symbolizes to me what singing in a choir is all about - the joining together of a group of people for a common goal - making beautiful music together. The text is joyful and uplifting, the perfect poem for a children's choir song. The rhythms are spirited and playful and truly capture the Latin style of the piece. The accompaniment cleverly creates text painting of a lark and a waterfall. The intervals were challenging, but so exciting when we got them right! Thank you so much for being a part of this music experience for me and the All-District Choir!
Lindy Perez
Richardson All-District Elementary
2003 TMEA conference
 
David Brunner has taken a poem by the Mexican poet Amado Nervo and fashioned a wonderful Mexican-sounding melody that adorns a tuneful, joyous work for two-part choir. Tasty piano lines support the voices with delicious Latin rhythms as the selection dances to its completion with a delicate flair. It's just a marvelous cross-cultural feature that we recommend very highly!
J. W. Pepper & Son, Inc.
 
 
Star Giver
Boosey & Hawkes (TBA)
Commissioned by Dr. and Mrs. Ray and Pam Heller for the Nebraska Choral Arts Society
Voicing: SSA chorus with piano
Text: Macrina Widerkehr
Duration: c. 4'30"
First Performance:
 
 

When the Nebraska Choral Arts Society commissioned David Brunner to compose a new piece for the combined forces of our many children’s choruses, we anticipated a thoughtful setting of text with appeal to a broad listening audience. When David delivered Star Giver, we were delighted to find our expectations far exceeded. Star Giver exemplifies that outstanding yet sometimes elusive union of text and music unique to the craft of a master composer.

When David traveled to Omaha and rehearsed our children’s choirs before conducting the world premiere, he was everything one desires in a clinician. In addition to his gracious manner and consummate musicianship, he immediately developed a positive rapport with our singers. This is indicative of his nature as a genuine human being, perhaps the most important attribute of a sensitive artist, and that condition which informs the total musician.

After the premiere, I asked the singers in Bel Canto to express their individual impressions of Star Giver in one word. Their responses included the following: “ethereal”, “evocative”, “humanistic”, “inspiring”, “interpretive”, “mysterious”, “shimmering”, “soothing”, and “transcendent.” That says it all.

Sean Burton
Conductor, Nebraska Children’s Chorus Bel Canto
 
 
 
Then, Now, Forever
Boosey & Hawkes, Inc., 48019169
Commissioned by The Children's Chorus of San Antonio in loving memory of Bob McCormick, founding Tour Director
 
Voicing: SSA chorus with piano
Text: Bill Worrell, Bob McCormick
Duration: c. 4:30
First Performance: May 1, 2005, Children's Chorus of San Antonio, San Antonio, TX, Marguerite McCormick, conductor
 
 
Beautiful melodies and a setting that brings to life these wonderful texts , Then, Now, Forever was an amazing choral music experience for our singers and staff. The work was commissioned to honor the memory of my husband Bob, who was a sometime poet and our Tour Director. Our choirs have performed many of David Brunner’s pieces and I am always touched by the way he puts together just the right combination of line, rhythm, thematic textures, accompaniment and style. David found a poem by artist Bill Worrell that melded perfectly with one of Bob’s, both using the same three words: Then, Now, Forever.
During his Guest Composer Residency several days prior to the premiere, David shared insights with our singers about his work as a composer, teacher and conductor. It was a marvelous time for all of us. The experience of performing a brand new piece written to honor someone fondly remembered was made so much richer because of David’s interaction with our young artists. He is, as one of our younger choristers remarked,”… a real live composer!”
Marguerite McCormick
Artistic Director
The children’s Chorus of San Antonio
 
The evocative words of west Texas artist Bill Worrell's poem "Then, Now, Forever" echo in those of Bob McCormick, to an almost uncanny degree. "For then, For now, Forever. It's love that bridges Yesterday to Tomorrow."

The union of breath, hearts and souls are the wings given by the Great Spirit that you and I might fly together in our journeys, and love forever. This seems a fitting tribute to Bob from the singers in the Children's Chorus of San Antonio and their director, Marguerite McCormick.
 
 
 
This Magicker
Boosey & Hawkes, Inc., M051476763
Commissioned by the Haydn & Handel Society Youth Chorus, Boston, MA, in celebration of conductor Matthew L. Garrett's 5th Season, 2004-2005
 
Voicing: SSA chorus with piano
Text: James Broughton
Duration: c. 3:00
First Performance: May 14, 2005, Handel & Haydn Society Youth Chorus, the Majestic Theater, Boston, MA, Matthew Garrett, conductor
 
 
David Brunner’s music is exquisitely crafted in a way that weds music and text so that both move fluidly from page to audience. A long-time admirer of his work, I often program his music for use by children’s choirs, high school ensembles, and honor choirs at the middle and high school levels. I recently had the pleasure of working with him on a newly commissioned work for the Handel and Haydn Society Youth Chorus in Boston. After several initial conversations, we decided upon a remarkable text and, within a few short months, David delivered This Magicker, an inimitable celebration of musicians and all creators of art. Upon first reading, my students’ eyes were transfixed to their scores, only to rise at the release of the final chord, their faces beaming with excitement. In addition to his attendance at our world premiere of this fascinating work, David was also kind enough to work with the students in a rehearsal setting. He immediately established a connection with them that demanded their musical best while remaining positive and energetic. David is a consummate musician whose love for life and people brings out the best in those with whom he works and in those who perform his imaginative pieces of art.
Matthew Garrett
Conductor
Handel and Haydn Society Youth Chorus
 
This Magicker was commissioned by the Handel & Haydn Society Youth Chorus for their conductor (and my friend) Matthew Garrett. The text was written by James Broughton and subtitled “A Litany for Lou Harrison” in honor of the American composer, in A Lou Harrison Reader, published by Soundings Press in 1987. I had been attracted to this poem since the days of my doctoral dissertation on the Choral Music of Lou Harrison and have always wanted to set these words, as I thought they quite literally “sang themselves off the page”.
 
A long series of unfortunate events became happy coincidences, as my search for text permission took me to publishers, librarians, neighbors, friends and family of the poet in Mexico, British Columbia, Texas, Washington state, the northeast and finally Bali!
 
The original text included “a hail and a hallow to the Blessed Lou”, which was omitted here to allow for a less specific performance context, though my thoughts while composing were always of Harrison, whose spirit is embodied in the playful rhythms and impish wordplay. And so, I offer this, in homage to the “Blessed Lou, to our Saint Harrison”, as well as the Handel & Haydn Society Youth Chorus, Matthew Garrett, and all us conjurers who delight in the making of music and art.
 
The text should be stunningly clear and articulate, the singing lighthearted and joyful, with a twinkle in the eye.
 
 
 
To Be Young
Boosey & Hawkes M051470860 (2002)
For the Stetson University Children's Chorus and their director Ann Small. In memory of Alicyn Bouie
 
Voicing: SSA chorus with piano
Text: David McCord
Duration: c. 2'15'
First Performance: December 1997, Stetson University,
DeLand, Florida. Ann Small, conductor.
 

Click here for all music samples or help.

 
 
To Be Young is sensitive, singable, and moving. The text is simple yet profound. As with all of David's works, the text and vocal parts are appropriate for the age of the choir for which the piece is written, and the piano part enhances the piece, serving integrally as a part of the composition, not just as accompaniment. David Brunner is a master of melody. He understands young voices and this piece can be sung well by inexperienced singers. For best effect it does require musically sensitive conducting. It's overall effect is stunning. .. a winner on any choral program.
Ann Small, Director
Stetson University Children's Chorus
 
 
 
Toucans Two
Boosey & Hawkes M051467525 (1997)
 
Voicing: 2-part chorus with piano
Text: Jack Prelutsky
Duration: 2'
 
 
The rhythm of Jack Prelutsky's witty text inspired this playful, jazzy setting for two-part chorus and piano. The piano bass line imitates a string bass throughout, the children's spoken voices percussive brushes. The playful exchange of spoken voice with sung parts is conversational, "laid-back" and fun!
 
 
 
We Clasp the Hands
Boosey & Hawkes (TBA)
Commissioned by a gift of the Peninsula Girls Chorus 2006 and 2007 Graduating Classes In celebration of the 15th Anniversary season of the Peninsula Girls Chorus, Catherine Doyle Wesolek, Founder and Artistic Director
 
Voicing: SSA chorus with piano
Text: Wendell Berry
Duration: c. 3' 50"
First Performance: The Peninsula Girls Chorus, Catherine Wesolek, Artistic Director, San Francisco, CA, June 8, 2008
 
 
Who Built the Ark?
Boosey & Hawkes M051471249 (1999)
For the St. Louis Symphony Children's Choirs and their director, Ethelyn Sparfeld, in memory of Mr. and Mrs. Henry McCoy
 
Voicing: SSAA chorus with piano
Text: Traditional Spiritual
Duration: c. 3'
First Performance: spring 1998, St. Louis Symphony
Children's Choir, St. Louis, Missouri.
Ethelyn Sparfeld, conductor.
 
 
The children... sang the first time and they were hooked. They liked the syncopation, word structure, and the phrasing. It was a big hit with the children and audience.... the children were crazy about the piece.
Ethelyn Sparfeld
Artistic Director
St. Louis Symphony Children's Choirs
 
 
 
Winter Changes
Boosey & Hawkes M051467532 (1994)
For Dr. Robert E. Thomas, mentor and friend
 
Voicing: unison voices with piano
full score and orchestral version parts
on rental from the publisher
Text: Emily Clare Forsythe
Duration: c. 2'45'
First Performance: 1994 National Kodaly Conference, Chattanooga, Tennessee. Columbus Symphony Children's Chorus, Sandra Matthias, conductor.
 

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Setting an exquisite text written by fifth-grader Emily Forsythe, David Brunner has created a stunning unison piece for intermediate-level treble choir and piano. Beginning with a brief piano introduction, this through-composed piece features a flowing melodic line, changing meters, and copious dynamic and expressive markings. With strict attention to musical detail, a sensitive performance will paint a portrait of winter beauty in the mind of the listener.

The piano part, sparse and mildly dissonant, is most supportive of the voices. Some wide melodic leaps will give singers good intervallic practice. The full gamut of the scale from c1 to e2 is incorporated throughout the piece, and the few appearances of f2 and g2 are well-prepared.
The Choral Journal
 
 
 
Yo le Canto todo el Dia
Boosey & Hawkes M051469321 (1997)
For the Miami Choral Society, Timothy A. Sharp, director
 
Voicing: 2-part chorus with piano
Text: Jackeline Rago
Duration: c. 3'
First Performance: 19 May 1996, Miami, Florida. The Miami Choral Society, Timothy Sharp, conductor.
 

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Yo le Canto is another example of the breadth and diversity of David's compositions. The children love the rhythmic energy and intensity of this piece. Yo le Canto is now a part of the core repertoire of the Miami Choral Society.
Timothy A. Sharp, Music Director
Miami Choral Society: A Children's Choir
 
This piece, written by Florida composer David Brunner for the thirtieth anniversary of the Miami Choral Society, is an energetic, rhythmic, and infectious likeness to the music of Venezuela. Much information is provided on the cover, and the pronunciation and translation of the six short lines are included. They are repeated many times in the three-minute setting, along with a syncopated refrain on a neutral syllable.

Much of the piece's energy is provided in the rhythmically challenging piano accompaniment. Handclaps are added sparingly, but effectively, throughout. The two vocal lines, both in mid-range, are a little dissonant, more sustained, and independent of the accompaniment. The vocal parts perform complex rhythmic patterns in tandem.

Both the conductor and the accompanist should be well-prepared before rehearsing the piece; it would be an excellent choice for a festival.
The Choral Journal
 
 
 
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