| A Living Song |
| Boosey & Hawkes 48019360 |
| For the 2007 Tennessee All-State Women’s Chorus, Sandra Snow, conductor |
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| Voicing: SSA with piano (chamber orchestra full score and parts 48019360) |
Text: Joseph Freiherr von Eichendrorff (1788-1857) and a 19th c. rattle fragment from the Northwest Canadian Coast |
| Duration: c. 3’ |
| First Performance: 2007 Tennessee All-State Women’s Chorus, Sandra Snow, conductor |
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| (See Listing under Mixed Voices for annotation.) |
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| A Song for Every Child |
| Boosey & Hawkes M051477135 |
| Dedicated to Martha Ellen Stilwell.
Commissioned for the Spivey Hall Children’s Choir
in loving memory of Bill & Lillian Loucks |
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| Voicing: SSA with piano |
| Text: William Blake (1757-1827) Songs
of Innocence: Introduction |
| Duration: c. 3’ |
| First Performance: The Spivey
Hall Children’s Choir, Martha Shaw, director, Morrow,
Georgia, May 20, 2006 |
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Click here for all music samples or help. |
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| David Brunner is the Schubert of our time. His soaring melodies are a delight to all who hear them, and his text settings are beautifully crafted. A Song For Every Child is a magical illustration of a Robert Blake poem about the joy of music and song in the life of a child. My singers loved its playful rhythms and poignant text, and it was fun to learn and perform. This piece is a wonderful addition to David's treble choir literature. |
Martha Shaw |
Artistic Director |
Spivey Hall Children's Choir |
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| A graceful melody, playful rhythms and
lighthearted mood characterize this setting of William
Blake’s poem from the Songs of Innocence.
The accompaniment is supportive of the voices, which are
often scored in duet pairings. Rhythms are characterized
by alternating meters, which fit the natural word stress
of the text. |
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| A Song To End All War |
| Boosey & Hawkes M051478224 |
| Commissioned for the 2007 Sing A Mile High Children's Choral Festival, Denver, Colorado, by Young Voices of Colorado, Jena Dickey, Artistic Director |
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| Voicing: SA chorus with piano |
| Text: Bill Worrell, The Shaman of Brotherhood (Lullaby for War) |
| Duration: c. 3'15" |
| First Performance: Sing a Mile High Children's Choral Festival, David Brunner, conductor, Denver, Colorado, June 25, 2007 |
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After working with David to select the text for If I Could Write A Song , I knew that the piece would be meaningful and beautiful. Having conducted other Brunner pieces over the years, I also knew that the melodies would soar at the most poignant places and create those spine chills that his music often produces. What I didn't anticipate was the ease and professionalism of the commission process. Contracts were clear and concise, and the product was delivered ahead of schedule.
If I Could Write A Song is easy to sing and its beauty will long echo in the hearts of the singers and their audience. It is a perfect ballad for our time. |
Jena Dickey
Founder and Artistic Director
Sing A Mile High Children's Choral Festival
Young Voices of Colorado
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| All Thy Gifts of Love |
| Boosey & Hawkes M051475506 |
| Commissioned for the 2005 Hillsborough
County Fine Arts Festival and dedicated in memory of Dr.
Virginia Bridges, Professor Emerita, University of South
Florida. |
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| Voicing: SA chorus with piano |
Text: Hunger Fund Committee, Diocese of
Huron
with additional verses by the composer |
| Duration: c. 3:00 |
First Performance: May 10,
2005, Morsani Hall, Tampa
Bay Performing Arts Center, Tampa, FL,
David L. Brunner, conductor |
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Jean Ashworth Bartle sent the first verse of this poem
in her Christmas greetings a year or so ago, and this
small fragment was the inspiration for additional verses
I added and for this setting of All Thy Gifts of Love
for the 2005 Hillsborough County Fine Arts Festival in
Tampa, Florida. |
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| “For these and all
thy gifts of love” in the final verse is part of
the family grace of Rev. Galen Russell, which I remember
fondly. |
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| It should be sung simply, in a moderate
tempo. |
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| Amazing Grace |
| Boosey & Hawkes M051474806 (2004) |
| Commissioned by The Scottish Arts
Council for The Stewarton Academy Choral Project, Mandy
Miller, Director |
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| Voicing: SATB and treble choruses with
piano and flute |
| Text: John Newton (1725-1807) |
| Duration: c. 5' |
First Performance: 18 June
2002, Glascow, Scotland,
Mandy Miller, conductor |
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here for all music samples or help. |
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| A new tune, lilting character and fresh
approach to the text combine in this folk-like setting
of a familiar and well-loved hymn. |
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| The Circles of Our Lives |
| Boosey & Hawkes M051472192 (2000) |
| This composition was commissioned
by the Endowment Fund of the American Choral Directors
Association in Memory of Raymond W. Brock who served the
American Choral Directors Association as Director of Development
and Administrative Assistant. |
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| Voicing:
SA chorus with piano Full score
and instrumental version parts also available on rental
from the publisher (flute, oboe, clarinet,bassoon, string
quartet and piano) |
| Text:
Wendell Berry |
| Duration: c. 4' |
| First Performance: at the Eastern
Division convention of the American Choral Directors Association,
Baltimore, MD, and the subsequent six division conventions
in Cincinnati, OH, Madison, WI, Orlando, FL, Seattle,
WA, Oklahoma City, OK and Los Angeles, CA, February -
March, 2000. Instrumental version commissioned and premiered
by the Young Women's Chorus of Kentucky, Robert Paugh,
conductor, at the Kentucky Music Educators Association
conference, Louisville, Kentucky, February 7, 2002. |
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here for all music samples or help. |
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| The American Choral Directors Association
was pleased to invite David Brunner to be the 2000 Raymond
W. Brock Memorial Composer. The Circles of Our Lives is
one of the significant commissions added to this prestigious
series. This great composition premiered in the spring
of 2000 at the seven ACDA division conventions to outstanding
reviews and continues to receive superb reviews from choral
musicians worldwide. |
Gene Brooks
Executive Director
American Choral Directors Association
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The Circles of Our Lives began as an
emotional response to a poem by Wendell Berry, entitled
simply "Song". I had not known the poetry of
Wendell Berry until very recently, but immediately found
in him a voice that touched me by its contemplative and
inspirational nature and by the reverence in each and
every word. I found in his words a profound sincerity
and respect for the wonder of life. This gentle poem of
life's cycles seemed exceedingly appropriate for this
work in memory of Raymond Brock.
This thoughtful and musical text is set to expansive melodic
ideas in a gentle interplay of voices. Only music brings
us here, each by all the others held. |
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| Daring to Be |
| Boosey & Hawkes M051476121 |
| For the Young Naperville Singers in celebration
of their 20th year, Oksanna Rodak, Artistic Director.Funded
by a grant from the Naperville Sunrise Rotary Fund for the Arts,
Naperville, Illinois |
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| Voicing: SSA with piano |
| Text: Ann Ziety |
| Duration: c. 3'8' |
| First Performance: Young Naperville
Singers, Oksanna Rodak, conductor, Naperville, Illinois, April
25, 2004 |
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| I was intrigued by the playful
nature of Ann Ziety's text and felt it's youthful exuberance
was perfect for the celebration of the Young Naperville Singers'
20th anniversary. Throughout, the singing is energetic, light
and buoyant. The text sparkles with an energy and affirmation
of who we are. |
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| Earthsongs |
Boosey & Hawkes M051468584 (1996)
To My Dad |
| For the Children in Harmony Choral Festival,
Keynote Arts Associates, EPCOT '96, Barbara Tagg, Director |
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| Orchestral Version for the Children's Choral
Festival, Carnegie Hall, Janet Galvan, conductor |
I The World is Full of Poetry
II In Safety and Bliss
III We Join with The Earth and with Each Other |
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Voicing: 4-part treble chorus with oboe and
piano
full score and orchestral version parts on
rental from the publisher |
| Text: James Gates Percival; Buddhist from the
Sutta Nipata; United Nations Environmental Sabbath Program |
| Duration: c. 9' |
| First Performance: 25 May 1996, EPCOT,
Orlando, Florida, David Brunner, conductor. Orchestral debut:
Carnegie Hall, New York City, Janet Galvan, conductor. |
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here for all music samples or help. |
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| David Brunner has made a significant
contribution to choral music repertoire. His flowing melodies,
rich textures, musical sensitivity and moving texts have provided
the basis for many outstanding compositions. One such composition
is surely Earthsongs. |
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Barbara Tagg, Conductor
Syracuse Children's Choir
Children in Harmony Festival EPCOT |
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| The minute I heard Earthsongs, I wanted to
hear it orchestrated. The premiere in Carnegie Hall of Brunner's
orchestrated version of Earthsongs was stunning. .. This is
a welcome addition to the repertoire of children's voices and
orchestra. |
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Janet Galvan, Conductor
North American Children's Chorale |
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| Eletelephony (from Two for Fun) |
| Boosey & Hawkes M051465323 (1992) |
| For the Glen Ellyn Children's Chorus,
Doreen Rao, director |
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| Voicing: unison voices with piano |
| Text: Laura E. Richards |
| Duration: c. 55' |
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| Laura Richards' imaginative text comes to
life in this playful setting! Changing meters, an angular melodic
line and lumbering piano part are highly evocative and unpredictable. |
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| For a Certain Artist |
| Boosey & Hawkes, Inc., 48019226 |
| Commissioned by the Gulf Coast Youth
Choirs, Lynne Gackle, conductor, for the 2005 Young Voices Festival |
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| Voicing: SA chorus with piano |
| Text: Elisavietta Ritchie |
| Duration: c. 4:33 |
| First Performance: April 22, 2005,
Morsani Hall, Tampa Bay Performing Arts Center, Tampa, FL, David
L. Brunner, conductor |
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| For A Certain Artist is a lovely 2-part work
for children’s voices commissioned by the 2005 Young Voices
Festival, which is sponsored by the Gulf Coast Youth Choirs,
Inc. in Tampa, Florida, and accessible by children’s choirs
of all levels. This work was performed with over 750 children
from school, community and church children’s choirs. David
Brunner was our guest clinician/composer and it was truly a
marvelous experience for the children to perform this new work
with the composer, himself. The text engages the imagination
and speaks to the ability of the artist to “see”
things beyond what most of us “see” in daily life
– In a tree, a boat; in a puddle, the sea; in a cloud,
sails. For A Certain Artist encourages us to think about looking
past the ordinary and to strive to see the possibilities of
“what if” in our lives. |
Lynn Gackle
Founder and Artistic Director
Gulf Coast Youth Choirs |
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| I loved this poem on first reading. It says
so much in so few words about the experience of the artist’s
eye, the ability to imagine what can be, to see extraordinary
possibilities in everyday things and to sense in our heart the
oneness of the universe. |
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| The music has a folk-like quality and should
move in a gentle sway. |
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| Grandfather Great Spirit |
| Boosey & Hawkes M051468607 (1997) |
| Commissioned by David Matthews in honor
of his mother, Anna Mae Matthews for the Tampa Bay Children's Chorus,
Averill Summer, director |
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| Voicing: SSA chorus with alto flute, hand
drum, glass wind chimes, rattle, suspended cymbal and piano |
| Text: Sioux Prayer |
| Duration: c. 7' |
| First Performance: April 1998, Tampa,
Florida. Tampa Bay Children's Chorus, Averill Summer, conductor. |
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| Grandfather, Great Spirit immediately engaged
our singers' imaginations with its colorful tonal clusters and
atmospheric use of percussion and piano. This work truly captures
the spirit of its poetic text and draws listener and performer
into the very special atmosphere that it creates. It was a challenge
for us to learn this piece, and it offered our singers an opportunity
to develop many musical skills. Once learned, it became one
that our singers asked to repeat. |
Averill Summer
Artistic Director
Tampa Bay Children's Chorus |
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| Hold Fast Your Dreams |
| Boosey and Hawkes M051471232 (1999) |
| Commissioned by the St. Joseph's Hospital
Foundation on the occasion of the opening of Tampa Children's
Hospital at St. Joseph's, 19 March 1998 |
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| Voicing: 2-part treble chorus with piano |
| Text: Louise Driscoll |
| Duration: c. 2'20' |
| First Performance: 19 March 1998,
Tampa, Florida. Tampa Bay Children's Chorus, Averill Summer,
conductor. |
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here for all music samples or help. |
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I can't imagine a more sensitive, moving selection
of text than that of Hold Fast Your Dreams, commissioned for
the opening of our children's hospital. The sweeping, lyric
melodic lines are beautiful, fun to sing, and reflect the uplifting,
inspiring quality of the text. It has been a big hit on many
of our concerts with audiences and singers alike.
David Brunner's works have been favorites on our choir's programs
since we first sang Mrs. Snipkin and Mrs. Wobblechin... and
we look forward to learning more works by this creative composer.
The texts he chooses engage our singers immediately, and are
always so sensitively set to music. The melodic lines are memorable
and always very singable. |
Averill Summer
Artistic Director
Tampa Bay Children's Chorus |
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| Here is an extremely sensitive and ethereal-sounding
work for more mature treble choirs. A soaring melody is supported
by a dream-like piano accompaniment, as warm harmonies highlight
the text, "Hold fast your dreams! O keep a place apart
within your heart for little dreams to go." Perfect for
concert or contest, it is also ideal for graduation or as a
signature piece. Gorgeous! |
J. W. Pepper & Son,
Inc..
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| Home |
| Boosey and Hawkes 48019756 |
To the Concert Singers of the Fairfax Choral Society
Patrick F. Vaughn, director |
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| Voicing: two-part treble chorus with piano |
| Text: Kenzie Duffy |
| Duration: c. 3'20' |
| First Performance: 1 May 2007 |
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| David Brunner has an incredible gift...he paints pictures with his music. The musical tapestry that unfolds from performing his music not only sparks the imagination of the listener, but engages the performer to stretch beyond the notes on the page. I hope to collaborate with David again in the near future and would highly recommend him for any project. |
Patrick F. Vaughn
Director of Youth Choruses
Fairfax Choral Society, Annandale, VA |
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| House Blessing |
| Boosey & Hawkes M051474813 (2004) |
| For the 2001 West Virginia All-State
Children's Chorus |
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| Voicing: 2-part treble chorus with piano |
| Text: Traditional Bahai Prayer |
| Duration: c. 3' |
| First Performance: 23 March 2001,
Creative Arts Center, WVU campus, Morgantown, West Virginia,
Julia White, conductor. |
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here for all music samples or help. |
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| The universality of this Bahai
prayer connects us all in heart and thought. Its simplicity
and sincerity are reflected in the gently curved gestures of
the vocal melody. |
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| i thank you god for most this amazing |
| Boosey & Hawkes M051468676 (1997) |
| For the Cincinnati College-Conservatory
of Music Women's Chorus, Stephanie Mitchell, director |
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| Voicing: SSAA chorus a cappella |
| Text: e. e. cummings |
| Duration: c. 3' |
| First Performance: 19 November 1994,
Cincinnati College-Conservatory of Music, Cincinnati, Ohio.
Women's Chorus, David Brunner, guest conductor. |
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| The fragmented nature of e. e. cummings' poetry
is reflected in many small musical sections, that, however,
have a broad overall architecture. Colorful harmonies shimmer.
As always, a sensitivity to text setting. |
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| If I Could Fly |
| Boosey & Hawkes (TBA) |
| For Bill Worrell, in appreciation of his spirit and his art |
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| Voicing: Two-part treble chorus with piano |
| Text: Bill Worrell 06/01/06 – 4:56 p.m. Just north of Clines Corners. Ravens soaring in a beautiful watercolor sky. |
| Duration: c. 2’40” |
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| In the Beauty Way |
| Boosey & Hawkes M051470846 (1999) |
| For Doreen Rao and the 1997 Choral Music
Experience Teacher Training Institute |
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| Voicing: SATB chorus and treble voices with
piano |
| Text: Leo Platero |
| Duration: c. 6' |
| First Performance: 1 August 1997,
Northern Illinois University, DeKalb, Illinois. Doreen Rao,
conductor. |
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| (See listing under Mixed Voices for annotation) |
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| Isn't That Something? |
| Boosey & Hawkes, Inc., M051476725 |
| Commissioned by the Mississippi Girlchoir,
Lillian Lee, director, for Treble Song 2005 |
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| Voicing: SSA chorus with piano |
| Text: Daniel Ladinsky |
| Duration: c. 3:20 |
| First Performance: April 9,
2005, Mississippi Music Educators Association/American Choral
Directors Association state convention TrebleSong Honor Choir,
Jackson, MS, David L. Brunner, conductor |
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| The text was intriguing and created a lot
of discussion among the girls, evoking a much deeper meaning
when internalized than appears on the surface. The mixed meter
is challenging, yet playful and fun. The honor choir really
enjoyed working on the piece and were delighted to see David’s
reaction as it came alive for him for the first time. The Mississippi
Girlchoir performed the commission again on their spring concert
and will sing it this summer while on tour in England. |
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Lillian Lee
Director, The Mississippi Girlchoir |
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| Isn’t That Something? Was commissioned
by the Mississippi Girlchoir for the third annual Treble Song,
a state-wide honor choir for girls in grades 7 – 12, sponsored
by the Mississippi Girlchoir and held in conjunction with the
annual MMEA/ACDA State Convention in Jackson, MS. 140 choristers
rehearsed with Dr. Brunner for two days, and the premiere was
presented April 9, 2005. |
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| Jubilate Deo |
| Boosey and Hawkes M051471690 (1999) |
Voicing: SSA chorus with brass and organ
full score and orchestral version parts
on rental from the publisher |
| Text: Sacred Latin text |
| Duration: c. 3'10' |
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| (see listing under Mixed Voices for annotation) |
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here for all music samples or help. |
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| Laughing Song |
| Boosey & Hawkes M051478248 |
| For the Lake Agassiz Girls Choir, Fargo, North Dakota, Pamela Burns, Artistic Director |
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| Voicing: SSA chorus with piano |
| Text: William Blake Songs of Innocence |
| Duration: c. 4’18" |
| First Performance: May 4,2008, Fargo, North Dakota |
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Click here for all music samples or help. |
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| Mrs. Snipkin and Mrs. Wobblechin |
| (from Two for Fun) |
| Boosey & Hawkes M051465330 (1991) |
| For the Glen Ellyn Children's Chorus,
Doreen Rao, director |
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| Voicing: 2-part chorus with piano |
| Text: Laura E. Richards |
| Duration: c. 1'15' |
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here for all music samples or help. |
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| This companion piece to Eletelephony is a
conversational chattering between two friends with widely different
personalities. Great fun! |
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| My Heart Soars |
| Boosey & Hawkes M051470853 (1998) |
| For the 1998 Oklahoma Elementary All-State
Chorus, Janet Galvan, conductor |
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| Voicing: 2-part chorus with flute and piano |
| Text: Chief Dan George |
| Duration: c. 2'30' |
| First Performance: 28 January 1998,
Oklahoma Elementary All-State Chorus. Janet Galvan, conductor. |
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| David Brunner, established as a composer of
beautiful melodies that are incredibly "singable",
has another winner with My Heart Soars. One child in Oklahoma
told me that he had always liked the text, but the setting had
made him understand it more. He said that he felt as if his
voice and spirit literally lifted out of his body as he sang
the climactic text, "and my heart soars." Another
child commented that she had never sung high notes so easily.
The marriage of text and music is exquisite. This is a marvelous
addition to the repertoire. Thank you, David Brunner! |
Janet Galvan
Ithaca College |
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| O Music |
| Boosey & Hawkes M051467983 (1995) |
| For the Children's Honor Choir, 1994
Florida State ACDA Convention, Henry Leck, conductor |
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| Voicing: SSA chorus with cello and piano |
| Text: Kahlil Gibran |
| Duration: c. 4' |
| First Performance: 11 November 1994,
Knowles Chapel, Rollins College, Winter Park, Florida. Henry
Leck, conductor. |
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| (See listing under Mixed Voices for annotation and audio
sample) |
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Click
here for all music samples or help. |
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| Painted Memories |
| Boosey & Hawkes M051475735 |
| Commissioned by the Kentucky Music Educators
Association for the 2004 KMEA All-State Children's Choir. Robert
Paugh, Coordinator; Ann Small, conductor |
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| Voicing: SA with piano and oboe |
| Text: Bill Worrell |
| Duration: c. 8' |
First Performance: KMEA All-State
Children's Choir, Ann
Small, conductor, KMEA, Louisville, Kentucky,
February 2004 |
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here for all music samples or help. |
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Bill Worrell is a Texas sculptor and artist
whose work moved me in a gallery in Santa Fe, New Mexico a few
summers ago. His sculptures are full of spirit, grace and power,
and the evocative poems he writes to accompany them are words
of magic. I was transfixed by the wonder of the art and transported
by the imagination of the words.
Painted Memories accompanies a bronze triptic and reflects Worrell's
interest in and influence by the early cave paintings in the
Lower Pecos River area, fragments of the Shaman's experience.
"Soaring with the spirits", "dancing among
the stars", "flying unbounded". This freedom
and movement of the spirit is reflected in the music and it's
weightless, unfettered feeling of flight. The appearance of
the dawn dims my vision and clasps my feet to the ground. The
vividness of my spirit's night flight, however, forces me to
paint. "I must sketch my visions". "Upon the
walls of the canyon, with great care, I paint my memories".
The experience is transformed into art and leaves behind a record,
a faint remembrance of the reality.
I hope this music captures some part of the awe and wonder of
the Shaman speaker and of Bill Worrell's art. |
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| Psalm 150 |
| Boosey & Hawkes M051473403 (2002) |
| Commissioned by the Miami Children's
Chorus, Timothy A. Sharp, Music Director |
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| Voicing: SA with piano |
| Text: John Davies (1569-1626) |
| Duration: c. 2' |
| First Performance: The Miami Children's
Chorus, Timothy A. Sharp, director, Miami, Florida, April 2001 |
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Click here for all music samples or help. |
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| This is our second commission of David Brunner
and we are overjoyed with the work he has crafted for us, Psalm
150 . With a text by John Davies, David uses changing meter
and shifting harmonies to create a challenging work that is
an excellent addition to the repertoire for children's choirs.
The children of the MCC have enjoyed learning and singing this
piece. Bravo, David, for another fine work! |
| Tim Sharp, Director
Miami Children's Chorus |
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| Rhythmic vocal fanfares and an active piano
accompaniment bring freshness to this familiar scriptural text,
recast in words by 16th century poet John Davies. An exciting
and effective piece for treble voices. |
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| Radiant Sister of the Day |
| Boosey & Hawkes M051476732 |
| Commissioned by the Riverdale Women's
Chorale, Riverdale High School, Murfreesboro, TN, Jeremy D.
Jones, conductor, in honor of Founding Conductor, John T. Bryan |
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| Voicing: SSAA chorus with piano |
| Text: Percy Bysshe Shelley |
| Duration: c. 3:00 |
| First Performance: Riverdale High
School Women's Chorale, Murfreesboro, TN, Jeremy Jones, conductor |
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Click here for all music samples or help. |
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| In Radiant Sister of the Day, David Brunner
has once again exhibited his mastery of wedding text to tune.
This piece literally leaps off the page with wild abandon with
its exuberant intervals, clashing dissonances and quieter pools
of tonal mood change. Be prepared for some surprising twists
and turns in both melodic and harmonic structure. Radiant Sister
of the Day is not an easy choral piece, but is well worth the
effort required, for both performer and listener. It has been
a very positive and rewarding experience working with David
on this project. The students have lovged learning this enjoyable
and exciting piece. I believe many others will respond favorably
to this great addition to women’s chorale repertoire. |
Jeremy D. Jones, Conductor
Riverdale Women’s Chorale
Riverdale High School
Murfreesboro, TN |
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Radiant Sister is a joyous setting that sweeps the listener into a beautiful world of color, space, and daylight. The women enjoyed singing this gem, often remarking how "easy" or "great" it felt in the voice. We often saved rehearsing RS until that moment in rehearsal we most needed a lift out of the ordinary. It can function similarly on a concert program, providing momentum and sonorous beauty. |
Dr. Sandra Snow
Conductor, Women's Chamber Ensemble
Michigan State University |
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| I was immediately drawn to the evocative quality
of Shelley’s poem, its scents and sounds, colors and qualities.
The statement “Radiant Sister of the Day” is used
as a refrain that calls us to come away to wild woods and plains,
lawns and pastures, and the place where earth and ocean meet. |
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| The singing should have a youthful enthusiasm
that delights in each new scent and scene, and a momentum, carried
forward by the playful rhythms and undercurrent of pulsation
to that place where “all things seem only one in the universal
sun”. |
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| Simple Boat |
| Boosey & Hawkes, Inc., M051476138 |
| Commissioned by Weerter Gemengd Koor
"VIVACE", Kammerkoor Cantate Venlo, Beeker Liedertafel
and Chevremonts Mannerkoor 1912 Kerkrade, Dion Ritten, Artistic
Director, in his 25th Anniversary as Conductor, for the Sierra
Leone Project of War Child Netherlands |
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| Voicing: SATB and treble chorus with piano
(full orchestra version also available) |
| Text: Irish Fisherman's Prayer/The Way of the
Bodhisattva |
| Duration: c. 7:15 |
| First Performance: October 1 and
2, 2004, Weert Munttheater, Kerkrade Wijngrachttheater, Dion
Ritten, conductor |
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Click
here for all music samples or help. |
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| The refrain “a simple boat” recurs
throughout the piece, not only as a unifiying device, but also
a reminder that we, personally, possess the simple means to
bring about the benefit of beings. That we, individually, can
be a bridge or boat for those who have need of one. I know David
Brunner as a very fine composer and person. For his compositions
he always chooses interesting and profound texts. Simple Boat
is a perfect combination of texts from an Irish Fisherman's
Prayer and a Buddhist text. It is an expressive work, composed
with great musical integrity and beautiful melodies. The first
performance of Simple Boat was very emotional and moving and
had a marvelous response by the audience, who gave a standing
ovation. Thank you, David, for, again, a very valuable enlargement
of the choral literature. |
Dion Ritten
Conductor, Weerter Gemengd Koor "VIVACE"
The Netherlands |
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The occasion of an anniversary is always a
reason to celebrate. When my friend Dion Ritten approached me
to write a piece for his 25th anniversary with his choirs, I
was eager to do so. What made the project even more compelling
was his wish that the concert become an opportunity for greater
awareness and a way to contribute to a greater cause. His choice
was the Sierra Leone project of War Child Netherlands. It was
a collaboration I had to be a part of.
The choice of texts was a crucial one for me. I believe the
plight of the child is beautifully captured in the words of
the Irish Fisherman’s Prayer: “O Lord, be good to
me. The sea is so great and my boat is so small”. These
words of helplessness in the face of an overwhelming sea are
the only words sung by the chorus of children. The adult community
of singers respond with two Buddhist writings from The Way of
the Bodhisattva: “Regard your body as a vessel, A simple
boat for going here and there. Make of it a wish-fulfilling
gem To bring about the benefit of beings.” “May
I be a guard for those who are protectorless, A guide for those
who journey on the road. For those who wish to go across the
water, May I be a boat, a raft, a bridge.” This helping
community offers itself as the vehicle for crossing the water. |
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| The Singing Will Never Be Done |
| Boosey & Hawkes (TBA) |
| For the Orlando Children's Chorus and
their directors Trey Jacobs and Carolyn Minear on their Fifth
Anniversary |
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| Voicing: SATB and treble voices with piano |
| Text: Siegfried Sassoon (1886-1967) |
| Duration: 5'50' |
First Performance: Spring 2001, Orlando,
Florida,
Trey Jacobs, conductor |
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| (See listing under Mixed Voices for annotation) |
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| How fortunate we were to be able to commission
a piece for singers about singing! It offered our students an
opportunity to reflect and share what singing does for them
and for the world. They were then able to see how the composer
set the text to enhance the meaning of the words, offering their
own insights for each phrase. After the premiere, one of our
youngest singers said he wanted the last note to stay with him
all summer, so the "singing will never be done" until
he returns in the fall! We loved how the children's voices appear
and reappear at appropriate moments throughout the SATB setting,
with the children and adults playing off of one another. I cannot
think of a more fitting way to celebrate a fifth anniversary
than to commission one of our favorite composers to write about
singing. Thank-you, thank-you. |
Carolyn Minear, Director
Orlando Children's Chorus
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| Sir Brother Sun |
| Boosey & Hawkes 48019446 |
In loving memory of former MCC chorister Christie Prieto.
Commissioned by the Miami Children’s Chorus, Timothy A. Sharp, Music Director |
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| Voicing: SSAA with piano (chamber orchestra full score and parts 48019465) |
| Text: Saint Francis of Assisi |
Duration: c. 4’ |
First Performance: October 27, 2006, Miami Children’s Chorus, Timothy A. Sharp, conductor, Miami, Florida |
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Click here for all music samples or help. |
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| In Sir Brother Sun, David Brunner has crafted another excellent piece for children's chorus and chamber orchestra. David's melodic idea, voicing and dynamic contrasts make the text of Saint Fancis of Assisi breathe new life with each statement of praise. The balance between chorus and orchestra is also what makes this such an excellent composition. At no time does the texture of the orchestra overpower the voices. Though wonderful with piano, performing this piece with orchestra is a must. Only then will you gain a true perspective of each voice as it speaks. |
Timothy A. Sharp, Music Director Miami Children's Chorus
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| Solidaridad |
| Boosey & Hawkes M051474578 (2003) |
| In memory of Linette Perez Wilson. Commissioned
by the Richardson All District elementary choir, Lindy Perez,
Director, for the 2003 Texas Music Educators Association Convention |
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| Voicing: two part treble with piano |
| Text: Amado Nervo (1870-1919) |
| Duration: c. 4' |
| First Performance: The Richardson
All District elementary choir, Lindy Perez, Director, at the
2003 Texas Music Educators Association Convention, San Antonio,
TX |
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Click here
for all music samples or help. |
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| The title, "solidarity", symbolizes
to me what singing in a choir is all about - the joining together
of a group of people for a common goal - making beautiful music
together. The text is joyful and uplifting, the perfect poem
for a children's choir song. The rhythms are spirited and playful
and truly capture the Latin style of the piece. The accompaniment
cleverly creates text painting of a lark and a waterfall. The
intervals were challenging, but so exciting when we got them
right! Thank you so much for being a part of this music experience
for me and the All-District Choir! |
Lindy Perez
Richardson All-District Elementary
2003 TMEA conference |
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| David Brunner has taken a poem by the Mexican
poet Amado Nervo and fashioned a wonderful Mexican-sounding
melody that adorns a tuneful, joyous work for two-part choir.
Tasty piano lines support the voices with delicious Latin rhythms
as the selection dances to its completion with a delicate flair.
It's just a marvelous cross-cultural feature that we recommend
very highly! |
| J. W. Pepper & Son,
Inc. |
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| Star Giver |
| Boosey & Hawkes (TBA) |
| Commissioned by Dr. and Mrs. Ray and Pam Heller for the Nebraska Choral Arts Society |
| Voicing: SSA chorus with piano |
| Text: Macrina Widerkehr |
| Duration: c. 4'30" |
| First Performance: |
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When the Nebraska Choral Arts Society commissioned David Brunner to compose a new piece for the combined forces of our many children’s choruses, we anticipated a thoughtful setting of text with appeal to a broad listening audience. When David delivered Star Giver, we were delighted to find our expectations far exceeded. Star Giver exemplifies that outstanding yet sometimes elusive union of text and music unique to the craft of a master composer.
When David traveled to Omaha and rehearsed our children’s choirs before conducting the world premiere, he was everything one desires in a clinician. In addition to his gracious manner and consummate musicianship, he immediately developed a positive rapport with our singers. This is indicative of his nature as a genuine human being, perhaps the most important attribute of a sensitive artist, and that condition which informs the total musician.
After the premiere, I asked the singers in Bel Canto to express their individual impressions of Star Giver in one word. Their responses included the following: “ethereal”, “evocative”, “humanistic”, “inspiring”, “interpretive”, “mysterious”, “shimmering”, “soothing”, and “transcendent.” That says it all. |
Sean Burton
Conductor, Nebraska Children’s Chorus Bel Canto |
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| Then, Now, Forever |
| Boosey & Hawkes, Inc., 48019169 |
| Commissioned by The Children's Chorus
of San Antonio in loving memory of Bob McCormick, founding Tour
Director |
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| Voicing: SSA chorus with piano |
| Text: Bill Worrell, Bob McCormick |
| Duration: c. 4:30 |
| First Performance: May 1, 2005, Children's
Chorus of San Antonio, San Antonio, TX, Marguerite McCormick,
conductor |
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Beautiful melodies and a setting that brings
to life these wonderful texts , Then, Now, Forever was an amazing
choral music experience for our singers and staff. The work
was commissioned to honor the memory of my husband Bob, who
was a sometime poet and our Tour Director. Our choirs have performed
many of David Brunner’s pieces and I am always touched
by the way he puts together just the right combination of line,
rhythm, thematic textures, accompaniment and style. David found
a poem by artist Bill Worrell that melded perfectly with one
of Bob’s, both using the same three words: Then, Now,
Forever.
During his Guest Composer Residency several days prior to the
premiere, David shared insights with our singers about his work
as a composer, teacher and conductor. It was a marvelous time
for all of us. The experience of performing a brand new piece
written to honor someone fondly remembered was made so much
richer because of David’s interaction with our young artists.
He is, as one of our younger choristers remarked,”…
a real live composer!” |
Marguerite McCormick
Artistic Director
The children’s Chorus of San Antonio |
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The evocative words of west Texas artist Bill
Worrell's poem "Then, Now, Forever" echo in those
of Bob McCormick, to an almost uncanny degree. "For then,
For now, Forever. It's love that bridges Yesterday to Tomorrow."
The union of breath, hearts and souls are the wings given by
the Great Spirit that you and I might fly together in our journeys,
and love forever. This seems a fitting tribute to Bob from the
singers in the Children's Chorus of San Antonio and their director,
Marguerite McCormick. |
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| This Magicker |
| Boosey & Hawkes, Inc., M051476763 |
| Commissioned by the Haydn & Handel
Society Youth Chorus, Boston, MA, in celebration of conductor
Matthew L. Garrett's 5th Season, 2004-2005 |
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| Voicing: SSA chorus with piano |
| Text: James Broughton |
| Duration: c. 3:00 |
| First Performance: May 14, 2005,
Handel & Haydn Society Youth Chorus, the Majestic Theater,
Boston, MA, Matthew Garrett, conductor |
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David Brunner’s music is exquisitely
crafted in a way that weds music and text so that both move
fluidly from page to audience. A long-time admirer of his work,
I often program his music for use by children’s choirs,
high school ensembles, and honor choirs at the middle and high
school levels. I recently had the pleasure of working with him
on a newly commissioned work for the Handel and Haydn Society
Youth Chorus in Boston. After several initial conversations,
we decided upon a remarkable text and, within a few short months,
David delivered This Magicker, an inimitable celebration
of musicians and all creators of art. Upon first reading, my
students’ eyes were transfixed to their scores, only to
rise at the release of the final chord, their faces beaming
with excitement. In addition to his attendance at our world
premiere of this fascinating work, David was also kind enough
to work with the students in a rehearsal setting. He immediately
established a connection with them that demanded their musical
best while remaining positive and energetic. David is a consummate
musician whose love for life and people brings out the best
in those with whom he works and in those who perform his imaginative
pieces of art. |
Matthew Garrett
Conductor
Handel and Haydn Society Youth Chorus |
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| This Magicker was commissioned by the Handel
& Haydn Society Youth Chorus for their conductor (and my
friend) Matthew Garrett. The text was written by James Broughton
and subtitled “A Litany for Lou Harrison” in honor
of the American composer, in A Lou Harrison Reader,
published by Soundings Press in 1987. I had been attracted to
this poem since the days of my doctoral dissertation on the
Choral Music of Lou Harrison and have always wanted to set these
words, as I thought they quite literally “sang themselves
off the page”. |
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| A long series of unfortunate events became
happy coincidences, as my search for text permission took me
to publishers, librarians, neighbors, friends and family of
the poet in Mexico, British Columbia, Texas, Washington state,
the northeast and finally Bali! |
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| The original text included “a hail and
a hallow to the Blessed Lou”, which was omitted here to
allow for a less specific performance context, though my thoughts
while composing were always of Harrison, whose spirit is embodied
in the playful rhythms and impish wordplay. And so, I offer
this, in homage to the “Blessed Lou, to our Saint Harrison”,
as well as the Handel & Haydn Society Youth Chorus, Matthew
Garrett, and all us conjurers who delight in the making of music
and art. |
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| The text should be stunningly clear and articulate,
the singing lighthearted and joyful, with a twinkle in the eye. |
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| To Be Young |
| Boosey & Hawkes M051470860 (2002) |
| For the Stetson University Children's
Chorus and their director Ann Small. In memory of Alicyn Bouie |
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| Voicing: SSA chorus with piano |
| Text: David McCord |
| Duration: c. 2'15' |
First Performance: December 1997,
Stetson University,
DeLand, Florida. Ann Small, conductor. |
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Click
here for all music samples or help. |
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| To Be Young is sensitive, singable, and moving.
The text is simple yet profound. As with all of David's works,
the text and vocal parts are appropriate for the age of the
choir for which the piece is written, and the piano part enhances
the piece, serving integrally as a part of the composition,
not just as accompaniment. David Brunner is a master of melody.
He understands young voices and this piece can be sung well
by inexperienced singers. For best effect it does require musically
sensitive conducting. It's overall effect is stunning. .. a
winner on any choral program. |
Ann Small, Director
Stetson University Children's Chorus |
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| Toucans Two |
| Boosey & Hawkes M051467525 (1997) |
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| Voicing: 2-part chorus with piano |
| Text: Jack Prelutsky |
| Duration: 2' |
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| The rhythm of Jack Prelutsky's witty text
inspired this playful, jazzy setting for two-part chorus and
piano. The piano bass line imitates a string bass throughout,
the children's spoken voices percussive brushes. The playful
exchange of spoken voice with sung parts is conversational,
"laid-back" and fun! |
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| We Clasp the Hands |
| Boosey & Hawkes (TBA) |
| Commissioned by a gift of the Peninsula Girls Chorus 2006 and 2007 Graduating Classes In celebration of the 15th Anniversary season of the Peninsula Girls Chorus, Catherine Doyle Wesolek, Founder and Artistic Director |
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| Voicing: SSA chorus with piano |
| Text: Wendell Berry |
| Duration: c. 3' 50" |
| First Performance: The Peninsula Girls Chorus, Catherine Wesolek, Artistic Director, San Francisco, CA, June 8, 2008 |
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| Who Built the Ark? |
| Boosey & Hawkes M051471249 (1999) |
| For the St. Louis Symphony Children's
Choirs and their director, Ethelyn Sparfeld, in memory of Mr.
and Mrs. Henry McCoy |
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| Voicing: SSAA chorus with piano |
| Text: Traditional Spiritual |
| Duration: c. 3' |
First Performance: spring 1998, St.
Louis Symphony
Children's Choir, St. Louis, Missouri.
Ethelyn Sparfeld, conductor. |
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| The children... sang the first time and they
were hooked. They liked the syncopation, word structure, and
the phrasing. It was a big hit with the children and audience....
the children were crazy about the piece. |
Ethelyn Sparfeld
Artistic Director
St. Louis Symphony Children's Choirs |
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| Winter Changes |
| Boosey & Hawkes M051467532 (1994) |
| For Dr. Robert E. Thomas, mentor and
friend |
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Voicing: unison voices with piano
full score and orchestral version parts
on rental from the publisher |
| Text: Emily Clare Forsythe |
| Duration: c. 2'45' |
| First Performance: 1994 National
Kodaly Conference, Chattanooga, Tennessee. Columbus Symphony
Children's Chorus, Sandra Matthias, conductor. |
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Click
here for all music samples or help. |
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Setting an exquisite text written by fifth-grader
Emily Forsythe, David Brunner has created a stunning unison
piece for intermediate-level treble choir and piano. Beginning
with a brief piano introduction, this through-composed piece
features a flowing melodic line, changing meters, and copious
dynamic and expressive markings. With strict attention to musical
detail, a sensitive performance will paint a portrait of winter
beauty in the mind of the listener.
The piano part, sparse and mildly dissonant, is most supportive
of the voices. Some wide melodic leaps will give singers good
intervallic practice. The full gamut of the scale from c1 to
e2 is incorporated throughout the piece, and the few appearances
of f2 and g2 are well-prepared. |
The Choral Journal |
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| Yo le Canto todo el Dia |
| Boosey & Hawkes M051469321 (1997) |
| For the Miami Choral Society, Timothy
A. Sharp, director |
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| Voicing: 2-part chorus with piano |
| Text: Jackeline Rago |
| Duration: c. 3' |
| First Performance: 19 May 1996, Miami,
Florida. The Miami Choral Society, Timothy Sharp, conductor. |
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Click
here for all music samples or help. |
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| Yo le Canto is another example of the breadth
and diversity of David's compositions. The children love the
rhythmic energy and intensity of this piece. Yo le Canto is
now a part of the core repertoire of the Miami Choral Society. |
Timothy A. Sharp, Music
Director
Miami Choral Society: A Children's Choir |
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This piece, written by Florida composer David
Brunner for the thirtieth anniversary of the Miami Choral Society,
is an energetic, rhythmic, and infectious likeness to the music
of Venezuela. Much information is provided on the cover, and
the pronunciation and translation of the six short lines are
included. They are repeated many times in the three-minute setting,
along with a syncopated refrain on a neutral syllable.
Much of the piece's energy is provided in the rhythmically challenging
piano accompaniment. Handclaps are added sparingly, but effectively,
throughout. The two vocal lines, both in mid-range, are a little
dissonant, more sustained, and independent of the accompaniment.
The vocal parts perform complex rhythmic patterns in tandem.
Both the conductor and the accompanist should be well-prepared
before rehearsing the piece; it would be an excellent choice
for a festival. |
The Choral Journal |
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